| |  | Dear Reader,
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| Connoisseurs have long been familiar with this sonata – but I only discovered it myself when we began preparing our edition. I’m referring to » Emilie Mayer’s Cello Sonata op. 47. Its wonderful music displays great depth and maturity, having been composed towards the end of this remarkable composer’s life.
For this reason, I would especially like to recommend it to all those of you who play the cello. This sonata deserves a place in your repertoire and, thanks to its moderate level of difficulty, is also well within reach of amateur musicians. We are publishing the sonata for the first time in an Urtext edition. You can read more about it in our accompanying » blog post.
You’ll find information about our other new publications and further summer news in the following newsletter.
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| With very warm wishes,
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| Dr. Norbert Gertsch
| Managing Director
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| | | | La Capricieuse op. 17 for Violin and Piano | | with marked and unmarked string parts
Rupert Marshall-Luck (Editor, Fingering Violin), Jacob Leuschner (Fingering Piano)
Urtext Edition, paperbound
HN 1725
Inspired by his new violin, Elgar composed a dazzling virtuoso showpiece for himself entitled “La Capricieuse”. According to a sketch, he originally intended to call the piece “Le Staccato”, which would certainly have been an apt title. Yet “La Capricieuse” also captures the character of this much-loved encore extremely well. An excellent showpiece for advanced students as well!
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| | | Piano Sonata no. 30 op. 109 E major | |
| Murray Perahia (Editor, Fingering), Norbert Gertsch (Editor)
Urtext Edition, paperbound
HN 1118
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| | €12.50 |
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| | | | Hungarian Rhapsody no. 11 | |
| Peter Jost (Editor), Mária Eckhardt (Preface), Vincenzo Maltempo (Fingering)
Urtext Edition, paperbound
HN 1714
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| | €12.– |
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| | | New editions for wind instruments |
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| | | | Bassoon Concerto F major op. 75 | | Dominik Rahmer (Editor), Christoph Sobanski (Piano reduction)
Piano reduction, Urtext Edition, paperbound
HN 1690
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| | €23.– |
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| | | New editions for string instruments |
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| | | Little Sonatas and Chaconne op. 66 for two Violoncellos (Bassoons) | |
| with marked and unmarked performance score
Tabea Umbreit (Preface), Annette Oppermann (Editor), Thomas Klein (Fingering)
Urtext Edition, paperbound
HN 1715
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| | €19.– |
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| | | | Very Easy Melodious Exercises in the First Position op. 22 for Violin and Piano | |
| with marked and unmarked string parts
Rupert Marshall-Luck (Editor, Fingering Violin), Jacob Leuschner (Fingering Piano)
Urtext Edition, paperbound
HN 1724
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| | €15.– |
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| | | | Violoncello Sonata D major op. 47 | | with marked and unmarked string parts
Seonhwa Lee (Editor, Fingering Violoncello), Nicholas Rimmer (Fingering Piano)
Urtext Edition, paperbound
HN 1688
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| | €31.50 |
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| | | Perfect for giving or keeping |
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| | | | Henle mug | | Enjoy a hot or cold drink in the Henle mug, crafted from premium porcelain by Villeroy & Boch. It features an elegant design in various shades of blue with outstanding quality.
The mug has a capacity of 250 ml, is made in Germany, and comes in a high-quality gift box – perfect for giving or keeping.
HN 8034
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| | €29.90 | | recommended retail price |
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| | | News from the publishing house |
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| | | | G. Henle Chamber Music Academy | | The G. Henle Chamber Music Academy is an initiative of the Deutsche Stiftung Musikleben and G. Henle Publishers. Once a year, scholarship holders devote themselves to the intensive study of chamber music under the guidance of one of the foundation’s alumni.
From 9 September 2026 the pianist Olga Scheps will work with four outstanding young musicians, rehearsing works by Mozart and Mieczysław Weinberg. The final concert will take place on 12 September at 7 pm at the manor house at Kultur Gut Hasselburg in Holstein.
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| » Information and tickets
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| | | | IAML Congress in Thessaloniki | | Thessaloniki, the second largest city in Greece, hosted the annual congress of the International Association of Music Librarians (IAML) from 28 June to 3 July 2026.
We had an exhibition stand and led a workshop. Our aim was to establish new contacts with music libraries around the world and strengthen existing ones. Around 350 participants from 41 countries attended the conference, which took place in the new concert hall right by the sea.
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